Case of the Mondays – Focus Artist: Banks

I have a case of the Mondays, which usually occurs every Monday to be honest.

And this new artist (new, depending on how you define it) is speaking to my mood right now. Banks—yes, just Banks—was featured in Vogue last year as “Artist of the Week” where the author wrote: Her songs perfectly capture a feeling of being lost and powerless in the world. But the music is powerful, the opposite, as she put it, of helpless.”

banks 2

She has also toured as the opening act for The Weeknd and perhaps strangely, but somewhat unsurprisingly, her sound is being described as ‘dark R&B’

…not sure what the world is coming to but, if you also have a case of the Mondays too, take a listen

 

Sam Smith’s Career is About to Take Off

I never really notice “background” songs playing during TV shows. Obviously, it makes more sense to pay attention to the dialogue more than anything else. BUT as I was watching Grey’s Anatomy this past weekend, I couldn’t help but notice the ballad playing as Owen and Christina went through another one of their ‘I love you and I don’t know why’ scenes.

I noticed it so much so, that I paused the show and got up from my couch to look up the song…and that’s saying a lot.

As it turns out, the song was a cover of Whitney Houston’s “How Will I know” by Sam Smith. It also turns out that it’s not available ANYWHERE yet, which is disappointing, I know.**UPDATE: THE VIDEO IS AVAILABLE HERE** 

For a little background, Sam Smith is a 21-year old singer that was born in the small Cambridgeshire satellite town Linton. He grew up in a household that was full of soul music – the first album that moved him was Whitney Houston’s My Love is Your Love, and one of the first songs he understood was Aretha’s Say A Little Prayer. He was trained by a jazz singer where the first song he learnt the craft and composition of was Frank Sinatra’s Come Fly With Me. For more info see abc’s blog.

Ultimately, you may recognize Sam as the singer on Naughty Boy’s La La La, or Disclosure’s Latch, but interestingly he has yet to release his debut album. What does this mean? It means you can go to his Soundcloud and download his single Money on My Mind for free. You can also download his Nirvana EP, which is incredible.

Most importantly though, you can still get fairly reasonable tickets to one of his live shows. Personally, I’m a little upset that I missed the boat on his Webster Hall performance (tonight at 8 pm), but if you’re one of those with a little extra cash you can go over to Stub Hub and buy a ticket for ~$70 (they were originally $18). If you’re not in NY, check out his upcoming tour dates to see if he’s coming to a city near you: www.samsmithworld.com/live

Sam’s album In the Lonely Hour is set to drop on June 17, but is available for pre-order if you need to feel reassured that you’ll be one of the first on the bandwagon.

Next time he’s in NYC, I’ll let you guys know. Until then, let’s jam to Money on My Mind and Latch…

 

Did Bruno Mars Kill It or What? Now, Let’s Meet the Band

I’m a huge football fan, but after a 22 to ZIP score by halftime and some boring commercials, all I could think about was when dinner would be served so I could go home and lay on my couch.

So it probably comes to no surprise then that my ears perked up when Bruno Mars hit the stage (or should I say the drums). I was already a semi-fan anticipating the halftime performance but I–like countless others I’m sure–subconsciously downplayed the event after hearing numerous “Who’s Bruno Mars?” inquiries heading into the Super Bowl. I was a semi-fan before, because he can actually sing, he’s a talented musician, and his songs are catchy. Still, he reminded me of a kid that was born in the wrong decade.

…well, he still reminds me of a kid born in the wrong decade.

But luckily (or unluckily), I chose a seat next to a fairly old man whose “friend’s son” plays the trumpet in Bruno’s band. He subsequently began to tell the room about the group as if he knew each and every bandmate. While I had to do some fact checking, it turns out that the men in the gold suits – also known as the “Hooligans” – are young, talented, and educated. So let’s meet the band:

Kameron Whalum III – Trombone; Hometown: Memphis, TN

Kameron WKameron Whalum, a Morehouse grad, has been playing the trombone since he was just a kid. He studied music at his high school in Nashville, TN and after graduating from Morehouse eventually went on to further pursue music at the New School for Jazz from 2009 to 2011. He didn’t graduate from The New School however, as it was during this time that he got the call to play for Mars.

Jamareo Artis – Bass Guitar; Hometown: Raleigh, NC

JamareoBorn October 3, 1989, Jamareo is a bass guitarist and is well known for winning Diddy’s MTV Making His Band in 2009. He got his big shot however when he met Mars outside S.I.R. Rehearsal Studios in Los Angeles in 2010, “when he was just a short guy that only produced for others.”

As we witnessed during the Halftime show, it’s pretty remarkable how well the band dances together on stage. According to Jamareo: 

“The most difficult thing is to dance and play in this band. We do some Jackson 5 choreographed stuff on stage, and it’s not as easy as you think. We get down every moment of an hour and forty-five minute set and you have to make sure your dancing is in sync with your playing. I try not to let that effect what I’m playing, because that’s the most important thing.”

Eric Hernandez – Drums; Hometown: Hawaii

Eric HernandezEric was born in 1976 in Brooklyn, NY. He is Bruno Mars’ brother and the son of Brooklyn native “Pete Hernandez”, who was the percussionist for Love & Money and Cecilio & Kapono. His experience is vast as he started playing professionally at the ripe age of 10 years old. He played 6 nights a week for 8 years with “The Lovenote Show” a Variety show paying tribute to the music of the 50’s, 60’s and 70’s. It was this unrelenting schedule that bred consistency in his playing and made him a master of all styles, including soul, funk, reggae, rock, etc. Commenting on his dad letting him play on the show, Eric says: “After each show the cast would go out to the front and take photos and shake hands. I took a lot of pictures because people were fascinated that I had the ability to play the show. My brother had a knack for singing. He was a young Elvis impersonator at the age of three or four so he took all the limelight, but I didn’t care, I just wanted to play drums.”

Phred Brown – Guitar; Hometown: Lathrup Village, Michigan

Phred Brown is the Musical Director for Bruno Mars and the Hooligans. His mother was a music teacher who gave him private lessons. He soon became fascinated with all types of instruments and ultimately went on to the University of Michigan to study music. The school made music feel too “academic,” however so he left after two months and went back to Detroit to start performing. Prior to becoming an official Hooligan Band member, Phred Brown was in his own jazz/funk band called Phredley. When asked about how he went about playing in local bands to touring with Bruno Mars, Phred answers:

“One of the cornerstones of improvisational comedy is the idea of “Yes, and” meaning I’m going to take whatever you’ve offered to the scene and add to it, so we can build together. It applies beautifully to building a career as well. There were times in Detroit where I played in 6 or bands at once, and through each of those bands I met someone or did something that helped us all grow and get to another level.  I can look back to being a junior in high school and point out every connection I made that took me further or taught me something that allowed me to do more. I guess it’s all about accumulating information and meeting other people who are also gathering info and figuring out how you can help each other.”

John Fossitt – Keyboard; Hometown: New York, NY

John Fossitt

Hailing from Rochester, NY John taught himself how to play the piano at a young age. He’s the ultimate go-getter as just five years ago, he was homeless in Los Angeles chasing his dream.

 

James King – Trumpet; Hometown: Stamford, CT

James king

James has been playing the trumpet since he was 12 years old. He was referred to Bruno through his mutual Morehouse colleague Kameron Whalum. At the very minimum, he practices 1.5 hrs to 3 hrs a day. His advice for young musicians?:

“…submerse yourself with as much music as you can. Be able to not only find your voice in addition to being able to play different genres. Don’t create an unnecessary box for yourself when you can open up doors that will lead you to different opportunities.

Also make sure your personality does not keep you from opportunities. Make sure people not only enjoy your playing abilities in addition to who you are. Don’t let your personality get in the way of your success.”

Dwayne Dugger – Saxophone; Hometown: Queens, NY

Another Morehouse grad, Dwayne Dugger plays the sax in the Hooligans. He formed a band with some colleagues at Morehouse during his freshman year called “JASPECTS.” I was able to dig up the video above.

Philip Lawrence – Background Vocals; Hometown: Evansville, Ind.

Philip Lawrence

Last but certainly not least we have Philip Lawrence. Philip was born into a very musical family, and like so many musicians in this band, never really got along with academia. He went to college and studied communications and theater for a year in Nashville, Tennessee but all he did was write songs. After a year, he left, did some theater and worked at Disney World for six years. Now, he is a solo artist, sings vocal for Bruno Mars, and is a part of Bruno’s production team, called the Smeezington’s (which also includes Ari Levine). He first linked up with Bruno in 2006 when a producer called and said Bruno was going to be the next big thing. Philip was broke at the time “with no money, no car, and it was going to cost me everything I had to get to that studio session. Plus, I was leery at first because everyone in LA says the have the next big thing…I get to the studio, and it was Bruno, and that session was the first time either of us had written and recorded an entire song. From that point on we never stopped working together.” Needless to say, they have written hit after hit.

And there you have it…the men  who made Bruno’s show what it was last night. Congratulations to all of them on an amazing performance.

Will Lorde or Daft Punk Steal the Show at the Grammys? Here are My Predictions

Well folks, the Golden Globes and the SAG Awards are now a part of the past and next up is (the best award show), the Grammy’s! I’ll be posting my predictions and news leading into the event so keep checking back (or subscribe on the home page) for new posts.

First up, my predictions for the top categories:

The nominees for Record of the Year are:

Get Lucky – Daft Punk Featuring Pharrell Williams & Nile Rodgerz

Radioactive – Imagine Dragons

Royals – Lorde

Locked Out Of Heaven – Bruno Mars

Blurred Lines – Robin Thicke Featuring T.I. & Pharrell

And the winner is: Get Lucky by Daft Punk. Sucks for Robin Thicke because his Blurred Lines hit has yet to win an award, but I think this category will be a toss up between “Royals” and “Get Lucky.” Personally, I’d prefer Lorde to steal the show with her breakout song, and pretty much send a middle finger to the stereotypes of the music industry. But, let’s be real, Daft Punk’s “Get Lucky” is the quintessential Grammy song of the year.

Daft Punk

The nominees for ALBUM OF THE YEAR are:

The Blessed Unrest – Sara Bareilles

Random Access Memories – Daft Punk

Good Kid, M.A.A.D City – Kendrick Lamar

The Heist – Macklemore & Ryan Lewis

Red – Taylor Swift

And the winner is: Random Access Memories by Daft Punk. Lots of good contenders in this category but once again, it’s the Grammy’s and Daft Punk did a hell of a job selling their album. It was number one in 20 different countries, and they limited the electronic instrumentation to drum machines a custom-built modular synthesizer, and vintage vocoders. It’s also incredible that the music is live – in an age of EDM and trance music, it’s refreshing to hear an album that gives the genre a bit of a different sound.

daft-punk-random-access-memories

The nominees for SONG OF THE YEAR are: 

Just Give Me A Reason – Jeff Bhasker, Pink & Nate Ruess, songwriters (Pink Featuring Nate Ruess)

Locked Out Of Heaven – Philip Lawrence, Ari Levine & Bruno Mars, songwriters (Bruno Mars)

Roar – Lukasz Gottwald, Max Martin, Bonnie McKee, Katy Perry & Henry Walter, songwriters (Katy Perry)

Royals – Joel Little & Ella Yelich O’Connor, songwriters (Lorde)

Same Love – Ben Haggerty, Mary Lambert & Ryan Lewis, songwriters (Macklemore & Ryan Lewis Featuring Mary Lambert)

And the winner is: Royals, sung by Lorde. Finally! This song gets a Grammy. This one should be self explanatory…the lyrics are quite incredible and the song is still popular. Even old folks like it. Runner up? Macklemore’s “Same Love.” Nothing like a song that questions and changes the way we think as a human race.

Lorde Royals

The nominees for BEST NEW ARTIST are: 

James Blake

Kendrick Lamar

Macklemore & Ryan Lewis

Kacey Musgraves

Ed Sheeran

And the winner is: Macklemore & Ryan Lewis. Kendrick Lamar might take this one but I think the odds are in Macklemore and Lewis’ favor. They’ve been a national sensation and it’s quite incredible how they did it. Their song “Thrift Shop” was the first song to reach #1 on Billboard’s Hot 100 without the backing of a major label. The Heist meanwhile, reached number 2 on the US Billboard 200 chart. Also, they’ve been nominated for 7 Grammys total, speaking to how much the Grammy voters loveee the duo.

macklemore

The nominees for BEST POP SOLO PERFORMANCE are:

Brave – Sara Bareilles

Royals – Lorde

When I Was Your Man – Bruno Mars

Roar – Katy Perry

Mirrors – Justin Timberlake

And the winner is: Roar by Katy Perry. To be honest… I have no idea who is going to win this one. It wouldn’t make much logical sense that Lorde should win Song of the Year and not Pop Solo Performance BUTTTT I have a feeling Katy might take this one (or Sara Bareilles). That song basically made my ears bleed b/c its been played so many times at events/clubs.

katy_perry_roar

The nominees for BEST POP DUO/GROUP PERFORMANCE are:

Get Lucky – Daft Punk Featuring Pharrell Williams & Nile Rodgers

Just Give Me a Reason – Pink Featuring Nate Reuss

Stay – Rihanna Featuring Mikky Ekko

Blurred Lines – Robin Thicke Featuring T.I. & Pharrell

Suit & Tie – Justin Timberlake & Jay Z

And the winner is: Blurred Lines by Robin Thicke. Again, this one is a toss up too but Pharrell has a pretty nice odds of winning doesn’t he? I think Robin’s going to have to walk away with an award tonight, otherwise the entire world will question why the song was so popular in the first place. Yes, it was controversial but…even Marvin Gaye admitted (albeit through a lawsuit) that the song sounds as great as his.

blurred-lines-cover

 

And those are my predictions for the major categories. Win or lose, I’m sure every nominee knows that they’ve won by merely being on the list…still, it would blow to be nominated multiple times and not walk away with one (*cough* Robin Thicke).

Need a Hangover Cure?

Happy New Year B&C Readers!

As you lay in bed and reflect on the past year, the future, and how bad your hangover is, it may just be the perfect time to discover some new music.

Today, we turn to the world of hip hop and mixtapes. Fabolous’ Soul Tape 3 seems to be the hottest one out right now (Download) and if you haven’t listened to it yet, well, you should — even if mixtapes aren’t really your thing.

Equally as interesting though is discovering the “non-mainstream artists”. You’ll have to sift through the bad and the good, but nothing is sweeter than finding the good. One mixtape that seems to be gaining some traction is Bizzy Crook’s 84: Off Season (Download). Bizzy is an up and coming artist that hails from Miami, FL. He was signed by Mona Scott Young (you know, the hip hop mogul, and the lady who controls VH1’s Love & Hip Hop) at the age of 18 and has been developing his career ever since. Below, is one of his latest videos “21.”

The Eleven Best Musical Tributes to Beyonce

Since Beyoncé Giselle Knowles Carter has officially taken over the world, it seems only appropriate to look at her journey from a fan perspective. Her music has touched a multitude of people from different cultures, races, and cities. The below videos display some of the best tributes to Beyoncé that are on the Internet, as well as covers of her songs. After 5 albums with Destiny’s Child, 5 of her own, a baby and a husband…you have to wonder how she does it all. While the videos don’t display all of the amazing musical tributes that her Bee Hive has created, it does speak to the influence that she has had on fans around the world–not only in changing the meaning of “creativity,” but in many cases, helping fans propel their own careers to the next level (related: How Artists Get Views on YouTube).

1. Evolution of Beyoncé by Pentatonix

2. Love on Top (Cover) by Syesha

3. Drunk in Love by Ari Lennox

(seriously thought she was lip synching at first)

3a. Had to add this Drunk in Love cover…this kid is adorable

4. Beyonce Dance Series by WildaBeast Adams

5. Run the World (Girls) – Dance Cover by Black Queen

5a. This is also adorable..

6. Best Thing I Never Had by Tori Kelley & Todrick Hall

7. If I Were a Boy (Cover) by Rachel Crow

Yea, this one went viral pretty quickly..

8. Say My Name (Cover) by Flearoy The Band

9. Cater 2 U (Cover) by Passion & Melvin

10. Listen (Cover) by Melanie Amaro

(Let’s be real, everyone did a cover of “Listen” at one point, but this one was pretty impressive…)

11. Hello (Acoustic Cover)

11a. Hello by Rin on the Rox (using the above instrumental)

And as a bonus…remember this amazing live version of Halo by Queen B herself?

Sail Out or Sell Out: Is Jhene Aiko Really the Next Sade?

“Sail Out means to be free, go with the wind, like a sailboat. I think that’s really important when it comes to peace…inner peace especially. You can’t help anyone else if you don’ t have it together for yourself.” – Jhené Aiko

If you haven’t listened to Jhené Aiko’s new EP Sail Out yet, then you should.

Not because it’s good, not because it will change your life, not even because you have nothing else to do (besides read this article).  You should listen because it will make you a part of history.

That line is dramatic, I know…but it caught you’re attention. Perhaps starting with Kanye West and moving all the way to Frank Ocean and to Drake’s most recent project, the “R&B” and “Pop” records being put out today are…well, different.

Take Jhené Aiko. This is her first project under Artium (part of Def Jam), which was established by producer/Def Jam executive VP of A&R Dion “No I.D.” Wilson, who signed Aiko as his first artist in late 2011.

When speaking about Aiko, he says, “When I heard Jhené, she immediately struck me as the first female voice in what I call the new wave of R&B. She understands full-on melodies and emotion but writes freestyle lyrics on par with hip-hop depth and complexity. In my eyes she’s a modern Sade.”

He seriously thinks she’s the new wave of R&B, a modern Sade at that. To be honest, I don’t really hear it. If anything, she reminds me of the female version of Drake. That stream of conscious [emo, to be frank] type of music where each song compliments the other. Almost as if you were listening to one very long track.

Still I can’t deny the fact that her music is finally garnering a lot of interest—she has been creating music for quite a long time. Jhené was signed under Epic (the same label as B2K) at the young age of 13, but left after 2 years to finish school and “explore her options.” She spent the next several years around the music business, but by 2008 she had given birth to a girl with Omarion’s brother, singer O’Ryan.

Her next project was a mixtape called Sailing Soul(s). This latest EP, Sail Out is a precursor to her first solo album, Souled Out (see the pattern here?).

Even if you aren’t quite in love yet with Jhené’s music, you have to give her credit for her lyrical talent (she wrote all 7 songs on the EP) as well as sticking with a consistent style. The genius behind putting this EP out before her album is that it gives her leverage as an artist. Given the politics behind the music industry and her dropping from Epic at an early age, we can surmise that she hasn’t been given the creative power that she desires. She has been featured on songs by many reputable artists, but has never “broken out’ per say. Building momentum pre-album release not only gives her a broader fan base, but it also gives her creative power for her subsequent performances, music videos, and subsequent projects.

Now, onto the music.

Kendrick Lamar, Ab-Soul, Childish Gambino are just a few who appear on her EP. And here are a few of my favorite lines by Ms. Aiko:

“We do not exist in any other instant. Here in this dimension you and I are meant to be. I have waited lifetimes to find you. Now that you’re here I can remind you of the things you’ve been dreaming, times two.“ – Stay Ready

 “I am Alice, I’m in Wonderland. Where’s the rabbit? He is late again. Goodness, Gracious. I can’t wait for him. Who has got the time? Round and round and Round and round we go. It’s just like the same scenario. Good for nothing, feels like somethin’ ain’t right” – WTH

 “wait, now my thoughts so cloudy and my heart so crowded with pain. I am so frustrated like my soul’s been taken away. Broken promise of everything that I thought you were. Thought you said this would never hurt. That’s what it did that is all…I do not fear the thought of falling, thought I could fly…” – 3:16am

“And don’t take it personal, but you’re the worst. You know what you’ve done to me and although it hurts I know…I just can’t keep runnin’ away” – The Worst (see below for the new video)

Norah Jones featured on Anoushka Shankar’s New Song, “Traces of You”

I ran across this music video today by sitar* player and composer Anoushka Shankar. This song, titled “Traces of You” features her half-sister Norah Jones. Overlapping voices create the feeling of a dream-like sequence that make up most of the song. But perhaps the most appealing feature is the cross cultural aspect of the music—it contains “traces” of India, and Western culture as well.

*The sitar is a plucked stringed instrument used mainly in Hindustani music and Indian classical music. Anoushka trained on the sitar with her father (famous Sitar player Ravi Shankar) as a child, and signed her first record contract with Angel Records (EMI) at the young age of 16. In 2003, she was nominated for a Grammy, becoming the youngest-ever and first woman nominee in the World Music category for her third album, Live at Carnegie Hall. Her fourth album RISE earned her another Grammy nomination in the Best Contemporary World Music category in 2005, and in February 2006 she became the first Indian to play at the Grammy Awards.