Case of the Mondays: Focus Artist – Courtney Barnett

It’s a little late for a Case of the Monday’s post, but I have to say that I’m a new fan of Courtney Barnett, who performed at the SXSW festival this year. The artist just dropped her new album today, Sometimes I Sit And Think, And Sometimes I Just Sit. Her lyrics are incredible, intricate, thought-provoking…and just downright good story telling. Even better, she released the album through her own label Milk Records through indie stalwart Mom + Pop.

One of songs garnering a lot of attention on the album is “Depreston.” Pitchfork writes:

“Depreston” is Barnett’s somber tale of house-hunting in the suburbs of Melbourne, a sad neighborhood with few cafés and visible crime, heavy with an emptiness you can feel in this spacious, mid-tempo music. The song is rooted in a dilemma of all artists—that of finding a cheap place to live on the outskirts, of embracing domestic self-reliance and just brewing your own coffee—but it winds its way into a poignant ballad of memory, death and growing.”

I’m also a huge fan of Avant Gardner, a song from her last EP, and “an autobiographical account of trying to turn a life around through gardening, only to be foiled by a severe allergic reaction.”

For reference, born in Sydney but raised in remote Tasmania, Barnett started playing guitar at 10 and was in several bands before settling in Melbourne, where she enrolled in art school and eventually took a job at a shoe store. “I was good at it but started hating myself,” she recalls. “I was like, ‘This is f—ed corporate shit, selling overpriced shoes to kids who saved up their pocket money.’ ”

In other words, Barnett is the artist that really doesn’t care what others think..which ironically, will probably make people care about her more.